The rosemo(u)nt antiquartet could be summarized as an improbable encounter of the silent facets of a camera crew without a film. 11 years since his last solo album, ypl (of Heliodrome) has left behind his sample based music and has built short movies of sound in a krautrock jam band aesthetic on his latest album, diverses envolées de voix en essaims d’esseulement. The lap steel guitar rotates around the modular synthesizer cables, the bass resonates in a closed-circuit weightlessness and percussions are reminiscent of a halting edit. It is a scenario without a synopsis for a catharsis of the disenchantment which is sung in vertigo without the weight of words and the lies they support. Available on cassette!